前身(🕕)是皇軍軍港的吳(wú )(✒)港,戰後成(🏽)為船塢工(gōng )(🌰)人(rén )的生活(🕟)煉獄。在資本家剝削和枯燥生活的(🛤)雙重煎熬下,躁動(dòng )的年(🎾)輕生(shēng )命,一(🎲)頭(🎏)栽進暴(bào )力漩渦(wō ),延擱(⚫)成長,終日(🎩)在打鬥、賭博(bó )(🕯)、酗酒中尋(xún )找暫時的(🏐)麻醉。吉(🛺)田喜重通過工(😚)頭之(zhī )(✖)眼,對不(bú )合理的(de )(🥀)社(🕕)會(huì )現實(🐖)作出欲迎還(🚢)拒的批判,被視為日本新(⏯)浪潮代(dài )(🔢)表(biǎo )作(💱)之一。香山美子飾(shì )演純(chún )真的酒館女待,同情工(gōng )人卻慘被強姦,正(⏰)與負的能量,在大時代(dài )中比拼互滲,可有超越對(🕐)與(🐀)錯,是(shì )與(yǔ )(🤖)非(fēi )的位置?片末(mò )火車站送別(bié )一場(🍑),在(zài )家(jiā )和(🚗)社會之間(jiān ),吉田喜重(chóng )作(🐨)出了左翼的選擇。 One of the key films ushering in the Shochiku New Wave era, this raw tale of migrant laborers at a post-war naval base simmers with youthful outrage. Responsible shipyard worker Shimazaki (Hayakawa) is put in charge of new recruits from Osaka. The immature gang quickly finds trouble drinking, gambling, and fighting, and eventually trespassing against what Shimazaki holds most dear - local bargirl Nobu. Revenge, honor, and loyalty are all called into question. Yoshida's groundbreaking film portrayed real social issues in an unromantic light, and paved the way for all the cinematic roughs to come. (👫) - SummerIFF 2007
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