前(🈯)身是皇軍軍港(gǎng )的吳(✒)港(gǎng ),戰後(hòu )(📒)成(chéng )為船(chuán )塢工人的(de )生活煉(làn )獄。在資本(běn )家剝削和(🎗)枯燥生活的雙(🌰)重煎熬下,躁(zào )(🥩)動的年(nián )(🎾)輕生(🌫)命(👋),一(yī )頭(tóu )栽進暴力漩(📼)渦,延擱成長(zhǎng ),終日在打鬥、(🎡)賭博、酗酒(💆)中尋找暫時的麻醉(🐖)。吉田喜重通過工頭之(zhī )眼(yǎn )(🙁),對不合理的社會(huì )(🤯)現實作出欲迎還拒的批判,被視(🌚)為日(🚨)本新浪(làng )潮(🖲)代表作(zuò )之一(🌑)。香山美子飾演(🗞)純(chún )真的酒館女待,同(🤸)情工(🙄)人(rén )(㊙)卻慘被強姦,正與負(fù )的能量,在大(dà )時代中比拼互滲,可有超(🎋)越(🥕)對與(yǔ )錯,是與(🤖)非(fēi )的位(🌮)置?片末(mò )火車站(💹)送別一場,在家和(🚗)社會之間,吉(jí )田喜重作(🐨)出了左翼(🃏)的選(xuǎn )擇。 One of the key films ushering in the Shochiku New Wave era, this raw tale of migrant laborers at a post-war naval base simmers with youthful outrage. Responsible shipyard worker Shimazaki (Hayakawa) is put in charge of new recruits from Osaka. The immature gang quickly finds trouble drinking, gambling, and fighting, and eventually trespassing against what Shimazaki holds most dear - local bargirl Nobu. Revenge, honor, and loyalty are all called into question. Yoshida's groundbreaking film portrayed real social issues in an unromantic light, and paved the way for all the cinematic roughs to come. - SummerIFF 2007
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